The works dating from 2004 evidence I moving to ever-greater abstraction, with large passages of heavily textured paint (impasto) that are barely restrained by the horizontals and verticals of the cityscape.
Turning away from the overly-determined narratives of my earlier work, I am today moving toward ever-looser handling of my materials. In pushing my paint to match the experience rather than the optical reality of the city, my search for the visual equivalence of urban immediacy will take me in uncharted directions.
Turning away from the overly-determined narratives of my earlier work, I am today moving toward ever-looser handling of my materials. In pushing my paint to match the experience rather than the optical reality of the city, my search for the visual equivalence of urban immediacy will take me in uncharted directions.
